NaNoWriMo 2015


It’s National Novel Writing Month again… and even though I thought I’d be ready to fully participate this year, I’m not, and I’m sad about it.

Re: the manuscript I’ve been working on for ages…

This manuscript is incredibly personal. Everything about it is wrapped up in who I am and what I’ve seen. That’s not to say that it’s autobiographical. It isn’t. However, it is personal, and there’s a vulnerability in writing what I’ve written.

Also, this may not seem like a big deal, but it’s my first full manuscript. I’ve written tons of first chapters but only one final chapter, and that one final chapter is contained in this manuscript. I’ve written short stories and essays galore, I’ve been starting novels since I was fourteen, but I’ve never put much hope in any of them until my current Work in Progress. I’ve never believed anything would ever come of them.

Additionally, this is the only time I’ve written anything near the realm of Christian Fiction. There’s a weighty responsibility that comes with that. I feel an urgent necessity, that I hate feeling, in writing something that glorifies God. I chose Weston, my character, because I couldn’t imagine a more heart-wrenching conflict than the one I’ve seen in my friends who are both gay and Christians. I thought it was good timing historically for a book about that conflict. I thought it would be easy to sell. Yet, now that it comes down to either publishing it or not, I’ve got a slow-growing fear based in all of the things that drew me to this conflict to begin with. I’m afraid of how the nation is changing, and how my friends are changing. I’m afraid of how difficult it seems to be for people like Weston to hold onto convictions and trust that God has it covered, and even if they don’t get what they want, to refuse to bow down to any claiming the place that belongs only to the Almighty.

Piled on top of that fear is the problem I currently have of perspective. I started out trying to write my manuscript in 3rd person, because it’s an impersonal, analytical way of writing that allowed me to think the story instead of feeling it. There’s this strange thing that happens in the writer’s mind, where characters are real. It would be impossible for me to write a great story without suspending my disbelief at least as much as I want my readers to suspend theirs, so Weston is a real person to me. I have emotions towards him that only find their match in my relationships to real people. I feel affection, disappointment, anger, and hope for him and for the other characters in his life – Madison, Riley, Dave… all of them. That’s super difficult, because it’s my job to push these people through to most difficult parts of their lives.

I would prefer to do that in 3rd person, even though that wasn’t the right choice for this story.

Alongside the emotions of it, writing in 1st person has a ton of complications because the story is not about what happened. Rather, it’s about what one person thought happened. A narrator who is living the story is almost never going to be 100% reliable, and my character is particularly unreliable because she’s young, foolish, and confused. She’s emotionally invested to the extent that she can’t see straight. The result of telling the story this way is hours – nay, HOURS and HOURS and HOURS – of trying to figure out how a person can tell a story exactly as she experienced it without communicating only what she experienced. Ideally, Madison would tell her story honestly and without concern for the reader, but I’d be skilled enough to communicate to the reader through Madison – that I’d show bits and pieces that Madi didn’t see, or saw falsely.

It’s painstaking work.

Also, I decided to rewrite the entire ending of my story. I got one of those epiphanies that hit at the strangest times, when the muse speaks, and what needs to be written becomes clear. And yet, it’s a ton of work rewriting the entire ending – especially because I did my best to weave the ending into every chapter of the book so that readers could look back and be all mind-blown at the clues that were there all along.

So… where I find myself now is at the end again, rewriting and trying to be intentional about the level of satisfaction I bring to readers… or not. It would be easy for me to wrap everything up nicely and tie it with a bow for readers. OR it would be easy for me to wrap nothing up and leave readers bewildered to figure it out for themselves. Probably, the right thing to do is somewhere in the middle of those.

Finally, the actual news of this post is that I’ve recently been put in touch with an editor who may actually be able to help me, without costing me a boatload of cash, which means I need to get myself in gear pretty quickly here and not let this opportunity pass.

BUT…

All I want to do is start a brand-new manuscript that I can write in the detached voice of an omniscient 3rd person narrator. I want it to be an absurd dark comedy/social commentary about public education, and I want to be in the planning stage rather than this editing and perfecting stage that I have to be in with Weston’s story.

AaaaaaaHhhhhhhh!

I love NaNoWriMo… next year, I guess.

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